– Zoom h4 vs h5 vs h6 – none:

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Sufficient input and output connection let you connect to several mics or devices. And in this regard, the H8 is much ahead of the H5 and H6. The h5 is quite a bit better than the h4n. First off the preamps are way better which for you should be important. Same ones from the H6. True. Nothing too specific, it’s pretty much plug-and-play. I’ve had the best results with having the digitakt full volume and controlling the gain on.


Zoom h4 vs h5 vs h6 – none: –


They are a lot smoother; they are easier to use and it simplifies the whole system. The H5 and the H6 also have a backup record function that duplicates your file but at 12 decibels quieter. So, if your main recording peaks out, you now have a recovery. Now, this only works on the stereo input. It doesn’t work on any of the XLR inputs. So, for example, if you’re running a wireless lav you’re going to need to plug in your standard 3.

If you don’t need more than four inputs, the H5 is actually my favorite. It’s the lightest, it fills the best in your hand and with this removable capsule, it gives a lot of options. There are a few more minor differences, such as the H4 and the H5 both use double-As while the H6 requires four double-As.

You’re going to get about 6 hours of use on the H4, 15 hours of use on the H5 and 20 hours on the H6. Both the H4 and the H5 have monochrome displays while the H6 is full color. Let us know what equipment you’re using to record audio in the field. We’d love to hear about your experiences in the comments. Shopping Cart. Log in Create account. Events Past Events. Repairs Sensor Cleanings Lens Calibrations.

Removable Capsules The H4n Pro comes with two XLR inputs for two mono channels as well as a fixed stereo mount on top, or four channels in total with three inputs.

Sensitivity Dials My favorite thing about the H5 and H6 is the actual dials. Hi, Thanks for the feedback, and recommendations. I haven’t thought of checking Tascam as an option, I will check, and read more about the Tascam 60d, and 70d models. Cheers, Muziksculp. That’s not what I meant by much better preamps. But if you can’t hear a difference and you like the Zoom, by all means, be my guest.

What did you mean? Hi, Here is an update on my decision. I finally decided to get the Zoom H6 So far I’m very happy with it. Find it to be very sensitive, so it picks up a lot of sound details at very low db levels. Surely a big step up from the H4n. It is rare that I would need to record more than 4 mics simultaneously, but it won’t be a problem if I had the ability to record 6. I’m glad you went for the extra channels though bear in mind that the last two don’t have phantom power.

Panatrope’s Second Law – the number of channels required for a recording is one more than the number you have available. Test Result : Yes, it works I can use it to Rec. The H6 Remote has a few more buttons to select the 4 mic inputs. But for now, I don’t need to have those extra Remote options. Slightly off the point: Just the other day I plugged 2 Beyer MC s into my H4, recorded some piano and it sounded stupidly good.

I own an H6 and after following some advice gleaned from another thread I now get results that I like. The advice was: – use high output mics so you don’t need to push the gain past, say, 4; – use external phantom power rather than powering mics from the device battery phantom power in handhelds is less dependable and adds to recording noise ; – power the device via USB battery pack internal batteries or AC adaptors add to recording noise ; – put more thought into mic choice and placement tongue in cheek but a v good point.

Id be interested to hear any other user experiences with the H6. Cheers Mark. Jim Williams. It’s an excellent design with good Cirrus Logic converters. It used NE opamps for the mic preamps, upc opamps for line outputs and stuff. I’ve used it from birdcalls to gunshots, all work great without distortion or noise.

Use high end mics and it’s amazing. Mark, I get results I like with the H6 also. My comments are interspersed with your quoted message below. The advice was: – use high output mics so you don’t need to push the gain past, say, 4;. Last edited by henryf; 12th May at AM.. Reason: typos. Re the phantom power issue – I think the original advice was given in the context of handheld recorders in general vs some of the more current-hungry condenser mics CAD M, for example.

I use external phantom power as much for peace of mind as anything, so I’m not worrying about compromising the performance of the mic. I made two recordings on the H6 with the same lineup tenor saxophone, piano and laptop in the same room, and achieved noticeably better results the second time with higher output mics and external phantom power, although there were definitely other factors at play too higher sample rate and not using the built-ins as the room pair.

I can post samples if it’s of interest. Johnmack – the music I play and record does have a wide dynamic range from gnat fart through to lion roar so I tend to worry about potential hiss during the very quiet passages. Last edited by markhanslip; 12th May at PM.. Reason: spacing. The H6 preamps are definitely an improvement on the H4n though, by how much is oft-debated on here but consensus seems to be that they’re an improvement.

Question: How does the H6 fair as an audio interface? Would it do as good for 2-channel home studio recording as the Focusrite Scarlett 2i2? Top Mentioned Manufacturers. Facebook Twitter Reddit LinkedIn. Subscribe to our mailing lists. By using this site, you agree to our use of cookies.

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